1. Anja Hilling “Monsun”
2. Suzie Miller “Prima Facie”
3. Alice Birch “Revolt, She said. Revolt Again.”
4. Duncan Macmillan “Every Brilliant Things”
5. David Lindsay-Abaire “Rabbit Hole”
6. Donald Margulies“Time Stand Still”
7. Martyna Majok “Cost of Living”
8. Lucy Kirkwood “The Child”
9. Sam Steiner ”Lemons Lemons Lemons Lemons Lemons”
10. Lynn Nottage “Sweat”
11. Alice Birch “Many Moons”

……End of September

At the end of August and the beginning of September, I took on a script assessment project and ended up reading several dozen plays. After that, I somehow found myself getting back into my own script-reading mode.

I opened up my computer and started going through some of the plays I had saved but never got around to reading. I also happened to visit the National Theatre, and of course I couldn’t resist going into the bookshop and buying a few more books. Just adding a little more to the pile.

What are playwrights interested in? What methods do they use to express the things they care about? And do the methods they choose actually allow them to say what they want to say? These have always been the things I’m interested in learning about and exploring.

As I continue writing, I think reading is just as important as writing itself. You have to keep writing, of course, but you also have to keep reading.

any suggested script ? please comment on below.

係咁嘅，八月尾九月頭接咗一份劇本審批工作，睇咗幾十個劇本之後，開動咗我嘅劇本閱讀模式，於是打開電腦，搵一啲以前存咗檔未睇嘅劇本，又咁啱去咗一次 NT，入書店又買咗幾本，充實下自己。劇作家關心緊啲乜，用咩寫作方法去表達佢所關心嘅嘢，佢用嘅手段能唔能夠講到佢想講嘅嘢，呢啲一直都係我學習同研究嘅方向，喺繼續寫作嘅路上面，除咗持續寫，閱讀都好重要。